|Tate Britain presents the world’s most extensive retrospective of David Hockney|
|Неделя, 12 Февруари 2017г. 17:33ч.|
LONDON. Tate Britain presents the world’s most extensive retrospective of the work of David Hockney. Widely regarded as one of the most successful and recognisable artists of our time, this exhibition celebrates Hockney’s achievement in painting, drawing, photography and video. Following its presentation in London the exhibition, organised in collaboration with the Centre Pompidou and The Metropolitan Museum, will tour internationally to Paris and New York, announced tate.org.uk.
David Hockney is unique in British art for the extent of his popular appeal. As he approaches his 80th birthday, this exhibition offers an unprecedented overview of the artist’s work to date. Presented as a chronological overview, it traceshis development from the moment of his prodigious appearance on the public stage as a student in 1961, through to his iconic works of the 1960s and 1970s, and on to his recent success at the Royal Academy and beyond.
The exhibition (until 29 May 2017) presents how Hockney has questioned the nature of pictures and picture-making and challenged their conventions. His art is one of the great landmarks of post-modernism, using parody and self-reflection, and playing with representation and artifice. This can be found from his very early works, such as the Love paintings of 1960 and 1961 which subvert the language of abstract expressionism into homoerotic autobiography. The witty and brilliant invention of Hockney’s classic works will be explored, including his portraits of family, friends and himself, as well as his iconic images of LA swimming pools. ‘David Hockney’ also include his celebrated Yorkshire landscapes of the 2000s and work made since his return to California in 2013.
Hockney is an artist who has frequently changed his style and ways of working, embracing new technologies as he goes. For the first time this exhibition will show how the roots of each new direction lay in the work that came before. For example, his radical ‘joiner’ assemblages of photographs, such as the famous Pearlblossom Highway (1986), informed the paintings of his Hollywood home and the Californian landscapes that he made then and after; and his abstract works of the 1990s influenced his perception of the Yorkshire Wolds and the Grand Canyon.
David Hockney said: ‘It has been a pleasure to revisit works I made decades ago, including some of my earliest paintings. Many of them seem like old friends to me now. We’re looking back over a lifetime with this exhibition, and I hope, like me, people will enjoy seeing how the roots of my new and recent work can be seen in the developments over the years.’
Alex Farquharson, Director, Tate Britain said: ‘David Hockney is without doubt one of Britain’s greatest living artists. His practice is both consistent, in its pursuit of core concerns, while also wonderfully diverse. Hockney’s impact on post-war art, and culture more generally, is inestimable, and this is a fantastic opportunity to see the full trajectory of his career to date.’
The exhibition David Hockney is curated at Tate Britain by Chris Stephens, Head of Displays & Lead Curator, Modern British Art, and Andrew Wilson, Curator Modern and Contemporary Art and Archives, with Assistant Curator Helen Little. This exhibition is organised by Tate Britain in collaboration with the Centre Pompidou, Paris and The Metropolitan Museum, New York. It is accompanied by a major catalogue from Tate Publishing and a programme of talks and events in the gallery.
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David Hockney (b.1937) is English painter, printmaker, photographer and stage designer. Perhaps the most popular and versatile British artist of the 20th century, Hockney made apparent his facility as a draughtsman while studying at Bradford School of Art between 1953 and 1957.
Hockney soon sought ways of reintegrating a personal subject-matter into his art. He began tentatively by copying fragments of poems on to his paintings, encouraging a close scrutiny of the surface and creating a specific identity for the painted marks through the alliance of word and image. These cryptic messages soon gave way to open declarations in a series of paintings produced in 1960-1961 on the theme of homosexual love.
Hockney's subsequent development was a continuation of his student work, although a significant change in his approach occurred after his move to California at the end of 1963. It is clear that when he moved to that city it was, at least in part, in search of the fantasy that he had formed of a sensual and uninhibited life of athletic young men, swimming pools, palm trees and perpetual sunshine.On his arrival in California, Hockney changed from oil to acrylic paints, applying them as a smooth surface of flat and brilliant colour that helped to emphasise the pre-eminence of the image. By the end of the decade Hockney’s anxieties about appearing modern had abated to the extent that he was able to pare away the devices and to allow his naturalistic rendering of the world to speak for itself.
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|Последна промяна от Неделя, 12 Февруари 2017г. 17:42ч.|